Drawing from Observation
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Drawing from observation, having your subject directly in front of you is the best way to improve art skills. We engage more of our senses when viewing the real thing and this translates into better art pieces. Cameras do have a place in art, but IB students should not rely on photos as their main source for inspiration. Photos in themselves are 2-dimensional flat representations of 3-dimensional subject matter, so working from them puts an artist at a disadvantage right from the start. Seeing the real thing in 3-D provides the artist with more information about depth of space, form, texture, shadows and highlights, and the supporting area around your subject. Another advantage to working from observation is that it forces the artist to think about composition. Most people working from photos simply copy what they see in the photo without thinking about how or why things are arranged as they are, and this robs the artist of learning how to compose art pieces. A huge bonus of drawing from observation is that the finished art piece is uniquely original. It is 100 % yours, and a representation of the time you have given to the piece. Working from observation can also be a dynamic activity as things change and move you into unexpected directions in creativity. While sketching the lilies for this article, a grasshopper landed on a leaf, keeping me company for most of the sketch. He was more interesting than the flowers, so the little guy became the focal point of my drawing. Sample drawings made by others can be seen at: |
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Pencil type
Pencil drawings range from sketches to complete drawings that are art pieces in themselves. How far you take your drawing is up to you. For your workbook include drawings that work towards the development of your finished art pieces. |
Things to consider when drawing from observation
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